The close up of Fran challenge our reluctant hero to cross the threshold and begin her journey. The use of mirrors reflect intensifies and we always see Scott in two shots, juxtaposed with Fran on her own.
The background and setting are showing the clash of two cultures. The neon symbolic Coca-Cola sign representing the new and the natural Hills Hoist clothesline representing the traditional of Australia.
This is the end of Scott teaching Fran, then Scott learning from Fran and family. The use of low key lighting is to depict him as evil, shady character. Two types of scene interact and juxtapose to provide a contrast of the sheer romance and bravery of Scott and Fan dancing against those around them, Shirley, Doug, Barry and Liz.
When Rico challenges Scott to dance the Paso Doble, Scott is ridiculed for not dancing from the heart and this separates him from the group. Close-ups of people laughing are juxtaposed with long shots of Fran and Scott dancing, showing that they are laughing at the way he dances. Fran is happy for his liberation and newfound sense of belonging.
Thus, we can see that Australia is changing from s to a modern and multicultural world. When Scott is at home or studio or involve in ballroom dancing competition, mockumentary style is used to present an over exaggerated world. Luhrmann is making fun of this particular sub group. In contrast, the scene showing Fran at home with her family are in a naturalistic style.
We can see Scott is being more alienated from his family and the ballroom dancing community. Later on, in the next scene, when Barry confronting Scott, Luhrmann deliberately uses the red curtain again to signifies the theatricality of the dance world. At the end of the scene, Scott is spinning, it is a technique which provides a segue into the next scene.
This also indicates he has a lot in his head, should he listen to Barry and conform, or should he be individual and dance with Fran. Scott and Fran continue to dance; nothing can stop them from then. The use of the red curtains signals that the viewer is entering a theatrical world and the need for a suspension of disbelief. The illustriousness of the dance world is further emphasised through the exaggeration and self-depiction of Shirley in the mockumentary at the beginning of the film.
Close-up camera and low angle shots are used to show the authority and cruelty of Barry Fife within the world of ballroom dancing. The close-ups show the raw expressions on his face. His face is crimson red representing his fiendish ways. Their sense of not belonging alienates them from the flamboyant dance society.
Luhrmann uses techniques of dialogue and irony. What do I want? Luhrmann uses costume and body language to stress who belongs and who does not belong in such a world. Doug wears monotone clothing and integrates with the background, showing that he does not belong. Ironically, Doug has been alienated because of his dancing.
Fran also does not belong. She wears baggy, washed out hermaphroditic clothing, hiding her figure. She wears unfashionable glasses and has acne, conveying our stereotypical view of an outsider. As the movie frames progress, and especially towards the end of the film, we come to realize that Fran has changed. She wears bright red clothes that represent her passion and desire for dancing.
Her skin is clear, her eyebrows plucked and her glasses have disappeared. This change symbolises her natural beauty and new sense of belonging which has burgeoned as her relationship with Scott has developed.
Scott lives in a hypothetical world of dance where his every move is choreographed by the dance academy and his unrealistic mother. In contrast, Fran lives in a natural world free from the superficiality of the dance society.
Luhrmann depicts the importance of earthy, realistic and reciprocal connections through the use of cultural themes. Fran and her family have an ethnic Spanish background. H Auden vividly portrays the impact created by a sense of not belonging and rejection.
The first two stanzas set the context for the poem. The composer of this song expresses ideas that he does not belong.
Strictly Ballroom is a postmodern pastiche, a hybridised genre of fairy tail romance which focuses its attention on the gaudy, fantastical world of ballroom dancing and the fixated characters that live within it.
Strictly Ballroom & The Island essay perceptions of belonging and not belonging can be influenced by connections to places. In ‘ Strictly Ballroom ’, directed by Baz Luhrmann, the film explores how perceptions of belonging and not belonging can be influenced by connections to places.
'Strictly Ballroom' is a screenplay written by Craig Pearce and one of Australia's most recognisable creative forces Baz Luhrmann. Strictly Ballroom is the near perfect representation of human nature, with the main theme being individuality versus conformity'. 3/5(3). Strictly Ballroom is a musical comedy, which satirizes competitive ballroom dancing to convey the themes. In the sport of Ballroom Dancing Scott is forced to .
Baz Luhrmann's film Strictly Ballroom, explores the role of family in enabling or inhibiting the evolving sense of identity for the protagonist, Scott Hastings. Belonging is a complex experience that explores relationship, place and identity. Belonging is clearly shown, in each of the above mentioned themes, in the film “Strictly Ballroom” by Baz Lurhman and the non-fiction extract “Home: The Heart Of The Matter” by Peter Read.