Given that the woman in the story goes mad because her role in society is limited and her ability to express herself creatively is constricted, can the reader assume that the author is making a feminist statement? This topic could take at least two different approaches. You could either situate the story within a larger sociohistorical context i. What was happening in that made this particular story so relevant and resonant, and why does it remain so important today?
It is often said that artists and writers are touched by a bit of madness, but might this story make the argument that madness springs from the inability to be expressive and creative? What differences do you observe in her opening insights and those which can be gleaned from the conclusion? Instead, he insists that country air will restore her senses and that isolation from others will give her room to breathe and think. The Symbol of the Yellow Wallpaper. The yellow wallpaper can represent many ideas and conditions, among them, the sense of entrapment , the notion of creativity gone astray, and a distraction that becomes an obsession.
Examine the references to the yellow wallpaper and notice how they become more frequent and how they develop over the course of the story. Personally, I disagree with their ideas. A woman of ordinary abilities, the unimaginative Mrs. Dickinson would later represent the nadir of female selfhood to her brilliant, rebellious daughter. Rather than simply labeling the narrator a madwoman at the story's close, we might view her behavior as an expression of long-suppressed rage: This reading accounts for two elements of the story usually ignored: As in many of Poe's tales, this seemingly incongruous humor serves only to accentuate the Gothic terror of the narrator's situation The narrative focus of "The Yellow Wallpaper'' moves relentlessly inward, detailing the narrator's gradual absorption into the Gothic world of psychic chaos and imaginative freedom; but Gilman controls her heroine's deepening subjectivity through repetition, irony, parodic humor, and allegorical patterns of imagery.
The two worlds of the story—the narrator's husband and sister-in-law's daylight world of masculine order and domestic routine, and her own subjective sphere of deepening imaginative insight—are kept clearly focused and distinct. Most important, Gilman reminds the reader frequently that her narrator is a habitual writer for whom ''The Yellow Wallpaper" is a kind of diary, an accurate record of her turbulent inward journey.
Drawing on Gilman's experience of post-partum depression and breakdown, the story is far more than an indictment of nineteenth-century attitudes toward women and an account of one woman's incipient psychosis. Gilman made her heroine a writer for purposes of art, not autobiography, and the story as a whole describes a woman attempting to save herself through her own writing, to transform what she calls "dead paper" into a vibrant Gothic world of creative dreamwork and self-revelation.
Two of the story's major structural devices are its contrasting of the husband's daylight world and his wife's nocturnal fantasy, and the religious imagery by which she highlights the liberating and redemptive qualities of her experience. When the story opens, she acknowledges that the idea of their rented summer house as a It seems no accident that important recent novels have been Tom Morrison's Beloved , about the power of a sacrificed child over her mourning mother's life, and Marilyn French's Her Mother's Daughter , a major fiction about four generations of women, linked together in their martyred and futile lives through the mother-daughter bond.
For at least these hundred years, since Charlotte Perkins Gilman wrote her controversial and relentlessly accurate "The Yellow Wallpaper," women writers have confronted the basic conflicts of women's lives: It was also adapted to film in a made-for-television production by the British Broadcasting Corporation.
Weir Mitchell, the leading authority on this illness. Mitchell's rest cure, prescribed primarily to women, consisted of committing the patient to bed for a period of months, during which time the patient was fed only mild foods and deprived of all mental, physical, and social activity—reading, writing, and painting were explicitly prohibited. Gilman once stated that the rest cure itself nearly drove her insane. She and her husband John, who is a doctor, have rented a house in the country, in which she is to take a rest cure.
The narrator is confined to an upstairs room that was once a child's nursery but has been stripped of all furnishings and decor, except for a bed that is nailed to the floor, bars over the windows, and a garish yellow wallpaper. She describes the color and pattern of the wallpaper in an assortment of distasteful ways.
The narrator becomes more obsessed with the wallpaper and begins to imagine that a woman is trapped behind it. The story's finale finds the narrator creeping around the edges of the room and tearing the wallpaper in ragged sheets from the walls in an attempt to free the woman she believes to be trapped behind it. When her husband unlocks the door and finds his wife and the room in these conditions, he is appalled.
The narrator's confinement to her home and her feelings of being dominated and victimized by those around her, particularly her husband, is an indication of the many domestic limitations that society places upon women. The yellow wallpaper itself becomes a symbol of this oppression to a woman who feels trapped in her roles as wife and mother.
Gilman's story further expresses a concern for the ways in which society discourages women of creative self-expression. The narrator's urge to express herself through writing is stifled by the rest cure. Yet, the creative impulse is so strong that she assumes the risk of secretly writing in a diary, which she hides from her husband. While the narrator is clearly suffering from some kind of psychological distress at the beginning of the story, her mental state is worsened by her husband's medical opinion that she confine herself to the house.
The inadequacy of the patriarchial medical profession in treating women's mental health is further indicated by the narrator's fear of being sent to the famous Dr. Weir, proponent of the rest cure treatment. Nearly all of these critics acknowledge the story as a feminist text written in protest of the negligent treatment of women by a patriarchal society.
Furthermore, the story has sparked lively critical discussion and ongoing debate over the symbolic meaning of the wallpaper, the extent to which the story represents an effective feminist statement, and the implications of the story's ending. The Charlotte Perkins Gilman Reader: Many and many a reader has asked that. When the story first came out, in the New England Magazine about , a Boston physician made protest in The Transcript.
Such a story ought not to Gilbert, Sandra, and Susan Gubar. As if to comment on the unity of all these points—on, that is, the anxiety-inducing connections between what women writers tend to see as their parallel confinements in texts, Flynn and Patrocinio P.
Johns Hopkins University Press, UMI Research Press, We cannot discount pain but the least bearable pain is the husband's cry of anger: The children need you. Your duty is to Weir Mitchell's Fictionalization of Women. Charlotte Perkins Gilman, edited by Thomas L. Erskine and Connie L. Studies in Short Fiction 32, no. Richards, Felton asserts that the volume fails to address the needs of either an introductory reader or a literary scholar.
Felton, however, observes that the introduction, chronology, and bibliography included in the volume are useful. Studies in Short Fiction, pp. The project had been initiated Charlotte Perkins Gilman and the Theologizing of Maternity. University of Iowa Press, Golden and Joanna Schneider Zangrando, pp. University of Delaware Press, Psychoanalysis and the New Canon, pp. State University of New York Press, The Making of a Radical Feminist, Temple University Press, p.
Biography of Gilman, with particular focus on the development of her political thought and activities. Her Progress toward Utopia with Selected Writings.
Thesis Statement/Essay Topic #5: The Symbol of the Yellow Wallpaper The story is titled “The Yellow Wall-Paper," and indeed, the dreadful wallpaper that the narrator comes to hate so much is a significant symbol in the story.
Thesis Statement for The Yellow Wallpaper The Yellow Wallpaper, first published in , is a short story written by the American author Charlotte Perkins Gilman, based on her own experiences.
The Yellow Wallpaper Thesis Statements and Important Quotes. Below you will find five outstanding thesis statements / paper topics for “The Yellow Wallpaper” by Charlotte Perkins Gilman that can be used as essay starters. Trap of the Mind The story entitled “The Yellow Wallpaper” by author Charlotte Perkins Gilman shows one-woman’s struggle with mental illness to the point of insanity. The narrator appears to believe she is living in a colonial mansion. However based on the descriptions given throughout the story it appears she is in fact in an asylum.
The Yellow Wallpaper Thesis Ideas Cool Collections of The Yellow Wallpaper Thesis Ideas For Desktop, Laptop and Mobiles. We've gathered more than 3 Million Images uploaded by our users and sorted them by the most popular ones. The Yellow Wallpaper Thesis Statement. Cool Collections of The Yellow Wallpaper Thesis Statement For Desktop, Laptop and Mobiles. We've gathered more than 3 Million Images uploaded by our users and sorted them by the most popular ones.